A passionate linguist and writer dedicated to helping others improve their communication through creative storytelling.
Picture the following: a smiling the Danish striker wearing Napoli's colors. Next, place that with a dejected the Slovenian forward sporting United's jersey, appearing like he just missed an open goal. Do not worry finding an actual photo of that miss; background information is the enemy. Now, include some goal stats in a large, silly font. Don't forget some emoticons. Share the image everywhere.
Would you mention that Højlund's goal count includes strikes in the Champions League while Sesko isn't playing in Europe? Certainly not. And will you highlight that several of the Dane's goals were scored versus Belarus and Greece, or that Denmark is much stronger to Sesko's Slovenia and generates far more chances. You run social media for a major brand, raw engagement is your livelihood, Manchester United are the biggest draw, and context is your sworn enemy.
So the cycle of content spins. Your next task is to scan a lengthy interview featuring the legendary goalkeeper and extract the part where he calls the acquisition of Sesko "weird". There's a bit, where he qualifies his comments by saying, "I have nothing bad to say about Benjamin Sesko"... yes, remove that part. No one needs that. Simply ensure "weird" and "the player" appear together in the headline. People will be furious.
The heart of fall has long been one of my favourite times to observe football. Leaves fall, the wind turns, squads and strategies are still fresh, all is novel and yet everything is beginning to form. Key players of the coming months are staking their claims. The summer market is closed. Nobody is mentioning the multiple trophies yet. All teams are still in the game. At this precise point, anything is possible.
However, for similar reasons, this period has also been one of my least favourite times to consume news on football. Because although nothing has yet been settled, opinions must be formed immediately. The City winger is reborn. The German talent has been a crushing disappointment. Is Antoine Semenyo the best player in the league right now? We need an answer now.
In many ways, Benjamin Sesko feels like the archetype in this respect, a player inextricably trapped between football's opposing, non-negotiable forces. The imperative to withhold final conclusions, to let technical development and tactical sophistication to develop. And the demand to generate permanent definitive judgment, a constant stream of opinions and jokes, context-free condemnations and pointless comparisons, a puzzle that can never truly be solved.
It is not my aim to provide a in-depth evaluation of Sesko's time at Manchester United to date. The guy has started on four occasions in the Premier League in a highly unpredictable team, found the net twice, and taken a mere of 116 contacts with the ball. What exactly are we evaluating? And will I attempt to replicate Gary Neville's and Ian Wright's seminal masterwork "The Sesko Debate", in which two famous analysts duel passionately on a podcast over whether Sesko needs ten strikes to be a success this season (one pundit), or whether it's really more like 12 or 13 (Wright).
Despite this I loved watching Sesko at Leipzig: a powerful, screeching sports car of a striker, playing in a team ideally suited to his abilities: given the freedom to attack but also the leeway to miss. And in part this is why Manchester United feels like the most unforgiving place he could possibly be at the moment: a place where "harsh judgments" are summarily issued in roughly the duration it takes to load a pre-roll ad, the club with the widest and most ruthless gap between the time and air he requires, and the time and air he is going to get.
We saw a case of this during the national team pause, when a viral chart conveniently informed us that Sesko had been judged – by a wide margin – the poorest acquisition of the recent market by a poll of football representatives. Naturally, the press are not the only ones in this. Club channels, influencers, unidentified profiles with a suspiciously high number of fake followers: everybody with skin in the game is now essentially aligned along the same principles, an ecosystem deliberately nosed towards provocation.
Scroll, scroll, tap, scroll. What are we doing to ourselves? Are we aware, on any level, what this endless sluice of aggravation is doing to our brains? Quite apart from the essential weirdness of playing in the middle of this, knowing on some surreal chain-reaction level that every single thing about them is now basically content, commodity, open-source property to be packaged and traded.
Indeed, partly this is because United are United, the corpse that continues to feed the narrative, a major institution that must always be generating the strong emotions. However, in part this is a temporary malaise, a swing of opinion most visibly and harshly observed at this season, about a month after the window has closed. All summer long we have been coveting footballers, praising them, salivating over them. Now, just a few weeks in, a lot of those same players are now being dismissed as failures. Should we start to be concerned about a new signing? Was Arsenal's purchase of their striker wise? What was the purpose of another expensive buy?
It seems fitting that Sesko faces their rivals on Sunday: a team simultaneously on a long unbeaten run at their stadium in the Premier League and somehow in their own state of feverish crisis, like filing a a report on a person who popped to the store half an hour ago. Too open. Mohamed Salah past his prime. The striker an expensive flop. Arne Slot bald.
Maybe we have failed to understand the way the narrative of football has started to replace football the actual game, to influence the way we watch it, an entire sport repivoted around discussion topics and immediate responses, an activity that happens in the background while we scroll through our phones, incapable to detach from the constant flow of takes and further hot takes. It may be Sesko bearing the brunt at present. However, everyone is sacrificing something in this process.
A passionate linguist and writer dedicated to helping others improve their communication through creative storytelling.